Since her first photographs in the late ’70s, Bettina Rheims has defied the predictable. From her series on Pigalle strippers (1980) to her cycle on the life of Jesus in I.N.R.I. (1998), from Chanel commercials to Gender Studies (2011), her work has shaken up traditional iconography and pushed restlessly at the breaking point between two great human preoccupations: beauty and imperfection.
This Rheims retrospective showcases more than 500 photographs from 35 years of daring, often defiant photography. Personally selected and assembled by Rheims, the collection juxtaposes renowned series such as Chambre Close, Héroïnes, and Rose, c’est Paris with many previously unpublished archival images and entries from Rheims’s own “diaries,” detailing behind-the-scenes work and personal memories.
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